Although you don’t get to see the virtual instruments in full, a new Smart Controls feature makes sense once you’ve fired-up Logic Remote. As you’d expect integration is seamless, assuming both the iPad and Logic are on the same network, and you get immediate tactile control over the mixer, virtual instruments, key commands, basic song navigation and a range of GarageBand-like performance tools.
What makes it exceptional, though, is that the Track Stack can be saved off as a Patch (which is Logic’s new term for the old Channel Strip Settings feature), making it an extremely powerful way of building up a project from ‘modular’ collection of channel strips.Īrguably one overdue feature of Logic Pro X is support for a dedicated iPad controller, especially given the amount of third-party solutions on the market. As you’d expect, Track Stacks allow you to merge and manage selective groups of channel faders and tracks, which is a real asset for large orchestral sessions. Arguably our favourite workflow addition, though, was the new Track Stacks feature. Again, Flex Pitch isn’t a groundbreaking new feature, but the elegance in its implementation is breathtakingly smooth and intuitive. Stax Records A logical development of Flex Time is the new Melodyne-like pitch correction system.